In my previous post about “Noah,” I observed: “Like any artist with a singular vision, Aronofsky’s work is often uneven and polarizing, but always thought-provoking and engaging.” I didn’t realize how prescient those words would be. Though intended to describe Aronofsky’s entire oeuvre, that sentence turned out to be an apt summation of my feelings after seeing “Noah.” Uneven? Definitely. Thought-proving? Undoubtedly.
Spoiler Alert: I reveal some plot elements that aren’t in the Bible and are key to the movie. If you haven’t yet seen it and plan on doing so, don’t continue … you’ve been warned!
First, the uneven.
Aronofsky’s Watchers are the ultimate Gnostic archetypes: beings of pure light entrapped by the muck of the material world, yearning for release from the bondage of physicality. But the Watchers, as depicted by Aronofsky, are lumbering, cartoonish beasts, an awkward and uninspired mix of Ent, Transformer and Muppet that would be laughable if not for the naïve earnestness of their role in the script.
The film would have been far stronger had they been omitted entirely, along with the underwhelming battle scene in which they featured. Aronofsky is clearly at his best when examining the psychological motivations and interactions of his human characters, not when orchestrating CGI battles featuring ballet dancers with yoga boxes taped to their arms and legs.
Rather than further bemoaning this misstep, I have another interpretation of… [Read more…] about "Noah" in a nutshell: Watchers lose, love wins